Netflix as an audiovisual producer:

a snapshot of the serial fiction co-productions

Authors

DOI:

https://doi.org/10.25029/od.2020.272.19

Keywords:

Co-production, Fiction, Netflix, Series, Television

Abstract

Knowing the audiovisual products distributed by Netflix supposes a determining study scenario, since it allows us to obtain information on the strategy applied to satisfy the supply-demand process between the audiovisual giant and its global audiences. The objective of this article is to offer a snapshot of the original production of the VOD Netflix platform, specifically, breaking down and analyzing forms and trends in one of the recognized own production formulas: co-production, in order to contribute to the development of specific knowledge about Netflix's own product portfolio.

Author Biography

Tatiana Hidalgo, University of Alicante

PhD in Audiovisual Communication and Advertising from the University of Alicante (2013), Master in Communication and Creative Industry (UA, 2012) and Bachelor of Advertising and Public Relations (UA, 2007). Professor of Semiotics in the UA Degree in Advertising and Public Relations and in the Master in Communication and Creative Industries (UA). At the research level, her lines focus on discourse analysis, with special attention to fiction, advertising and television, with a gender perspective.

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Published

2020-09-30

How to Cite

Hidalgo, T. (2020). Netflix as an audiovisual producer:: a snapshot of the serial fiction co-productions. Obra Digital, (19), 117–132. https://doi.org/10.25029/od.2020.272.19

Issue

No. 19 (2020): Digital uses to promote democratic experiences

Section

Miscellaneous

License

Obra Digital uses a Creative Commons International licence 4.0 

Copyright for authors

Creative Commons.org Licenses 4.0